Ce mix était en quelque sorte un départ de mes mixes live typiques dans ses considérations d'arrangement/tonales. Ayant développé un léger cynisme envers la direction actuelle de la dance music, j'ai choisi des morceaux avec peu ou pas de respect pour le genre ou le BPM, en me concentrant davantage sur le ton et l'intensité. Bien qu'il y ait quelques moments dansants, il est certainement difficile d'appeler cela un ‘dance mix’, mais plus encore une collection de morceaux qui explorent la déconstruction du genre et mes espoirs pour la direction de la musique électronique à l'avenir.
This mix was somewhat of a departure from my typical live mixes in its arrangement/ tonal considerations. Having developed a slight cynicism towards the current direction of dance music, I chose tracks with little to no regard for genre or BPM, focusing more on tone and intensity. While there are a couple of danceable moments, it’s definitely hard to call this a ‘dance mix’, but more so a collection of tracks that explore the deconstruction of genre and my hopes for the direction of electronic music in the future.
This mix was somewhat of a departure from my typical live mixes in its arrangement/ tonal considerations. Having developed a slight cynicism towards the current direction of dance music, I chose tracks with little to no regard for genre or BPM, focusing more on tone and intensity. While there are a couple of danceable moments, it’s definitely hard to call this a ‘dance mix’, but more so a collection of tracks that explore the deconstruction of genre and my hopes for the direction of electronic music in the future.
À travers son premier album Home Invasion Anthems et son single 12" Operation Chaos (tous deux sur le label de Manchester, Natural Sciences ; home to Galaxian, Sansibar, DJ Seinfeld, Mars89 +++), MJ a été salué par FACT, Mixmag, DJ, Inverted Audio et Dummy pour son son unique qui rassemble dans un ensemble inclassable street electronic, underground rap, trap, gabber, electro et jungle. Celui qui pousse à contre- courant de la musique contemporaine et puise dans le malaise et l'angoisse de vivre dans un monde au bord de l'effondrement politique et écologique.
Brisant les frontières et une philosophie fortement basée sur l'idée de collaboration, Joe a réuni des scènes de rap disparates du monde entier, constituant un who's-who de la trap underground. Des noms tels que Freddie Dredd, YVNCC, Julien Andreas, Lord Pusswhip, Onoe Caponoe et the Lost Appeal Crew crachent des vers et établissent des rythmes avec Joe à la barre. Une séquence aventureuse qui a attiré l'attention de TNGHT (Hudson Mohawk x Lunice) - des innovateurs similaires qui ont sorti quatre morceaux de Home Invasion Anthems dans leur très attendu BBC Radio 1 Essential Mix à la fin de 2019.
Across his debut album Home Invasion Anthems and 12" single release Operation Chaos (both on Manchester label, Natural Sciences; home to Galaxian, Sansibar, DJ Seinfeld, Mars89 +++), MJ has been heralded by the likes of FACT, Mixmag, DJ, Inverted Audio and Dummy for his unique sound which brings together street electronics, underground rap, trap, gabber, electro and jungle into an unclasssificable whole. One which pushes against the grain of contemporary music and taps into the unease and anxiety of living in a world on the brink of political and ecological collapse. Breaking down borders, and an ethos based heavily on the idea of collaboration, Joe has brought together disparate rap scenes from around the world, making up a who's-who of underground trap music. Names including Freddie Dredd, YVNCC, Julien Andreas, Lord Pusswhip, Onoe Caponoe and the Lost Appeal Crew spit verses and lay down beats with Joe at the helm. An adventurous streak which caught the eye of TNGHT (Hudson Mohawk x Lunice) - similar innovators who dropped four tracks from Home Invasion Anthems in their much anticipated BBC Radio 1 Essential Mix at the tail end of 2019.
Brisant les frontières et une philosophie fortement basée sur l'idée de collaboration, Joe a réuni des scènes de rap disparates du monde entier, constituant un who's-who de la trap underground. Des noms tels que Freddie Dredd, YVNCC, Julien Andreas, Lord Pusswhip, Onoe Caponoe et the Lost Appeal Crew crachent des vers et établissent des rythmes avec Joe à la barre. Une séquence aventureuse qui a attiré l'attention de TNGHT (Hudson Mohawk x Lunice) - des innovateurs similaires qui ont sorti quatre morceaux de Home Invasion Anthems dans leur très attendu BBC Radio 1 Essential Mix à la fin de 2019.
Across his debut album Home Invasion Anthems and 12" single release Operation Chaos (both on Manchester label, Natural Sciences; home to Galaxian, Sansibar, DJ Seinfeld, Mars89 +++), MJ has been heralded by the likes of FACT, Mixmag, DJ, Inverted Audio and Dummy for his unique sound which brings together street electronics, underground rap, trap, gabber, electro and jungle into an unclasssificable whole. One which pushes against the grain of contemporary music and taps into the unease and anxiety of living in a world on the brink of political and ecological collapse. Breaking down borders, and an ethos based heavily on the idea of collaboration, Joe has brought together disparate rap scenes from around the world, making up a who's-who of underground trap music. Names including Freddie Dredd, YVNCC, Julien Andreas, Lord Pusswhip, Onoe Caponoe and the Lost Appeal Crew spit verses and lay down beats with Joe at the helm. An adventurous streak which caught the eye of TNGHT (Hudson Mohawk x Lunice) - similar innovators who dropped four tracks from Home Invasion Anthems in their much anticipated BBC Radio 1 Essential Mix at the tail end of 2019.
BAD TO THE BONE – BLANK #5 – AUGURY – MUTANT JOE
Bad to the Bone has been founded and is published by Hervé Coutin
Leads by Marie-Emmanuelle Arouet, founder of the independent label Aarte,
BLANK is a serie of podcasts which have for goal to promote contemporary, experimental and extreme music.
All visuals are selected by Vecteur Dissident.